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Justin Moore
Rick Diamond/Getty Images
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Justin Moore in Concert – What To Expect At Wild West FrogFest and Rodeo

If you caught Polly Wogg's interview with this year's Wild West FrogFest and Rodeo headliner, Justin Moore, you heard her ask him what we could expect from his live show.  His reply, "mediocrity."  Obviously he was joking.  A reporter assigned to cover the annual Country Thunder concert in Arizona had a somewhat lackadaisical anticipation of Justin's show as well.  That was until he saw it.  Check out his review and some video of Justin live.

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Krystal Keith
Show Dog Universal
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Krystal Keith, ‘Krystal Keith’ – EP Review

Krystal Keith proves she has the talent to make it in Nashville, but a larger sample is needed to distinguish her as her own artist. At her best she's Bonnie Raitt for a new generation -- but at other times her style, pacing and lyrics are too heavily influenced by Toby Keith.

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Luke Bryan
Capitol Nashville
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Luke Bryan, ‘Crash My Party’ – Song Review

Luke Bryan's new song 'Crash My Party' would fit well on his last album 'Tailgates and Tanlines.' The ballad is a continuation of themes introduced with 'I Don't Want This Night to End' and 'Drunk on You,' two No. 1 hits for the ACM Entertainer of the Year. At first listen, it's difficult to become excited about a song that's so familiar. 

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Brad Paisley
Ethan Miller, Getty Images
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Brad Paisley, ‘Wheelhouse’ – Album Review

Brad Paisley's 'Wheelhouse' delivers a familiar mix of humor, life lessons and scorching guitar solos, but it does it in a way different from any of the other eight albums the 'Beat This Summer' singer has released. He took his old formula, balled it up, lit it on fire and tossed the ashes in the garbage. The result is a meaty and ambitious project that doesn't always click, but clears new ground when it does.

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Hunter Hayes
Ethan Miller, Getty Images
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Hunter Hayes, ‘I Want Crazy’ – Song Review

In his new song 'I Want Crazy.' Hunter Hayes doesn't soar like Ronnie Dunn or croon like Chris Young. His vocal performance is an exercise in diction -- and memory. Simply put, he packs a ton of words into a tight space without straining or slurring one idea into another. It's not easy. 

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Carrie-Underwood
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Carrie Underwood, ‘See You Again’ – Song Review

Carrie Underwood changed directions with the release of 'See You Again' as the fourth single from 'Blown Away.' The ballad is anything but dark and stormy. Instead it's an inspirational reminder that will be especially meaningful to fans who have lost someone close recently. 

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The Band Perry Pioneer
Republic Nashville
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The Band Perry, ‘Pioneer’ – Album Review

The Band Perry's new album 'Pioneer' is just as dramatic, yet dramatically more steady than their debut effort. The bar was raised and reached vocally, and songs like 'Done,' 'Forever Mine Nevermind' and 'Chainsaw' prove the family trio has lost nothing in terms of lyrical edge. 

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Thompson Square
Anthony Baker
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Thompson Square, ‘Just Feels Good’ – Album Review

The best songs on Thompson Square's new album 'Just Feels Good' sound like a conversation between the two married lovers. Early on, their back-and-forth is light and playful. Later ballads take a more somber tone, but all that find the 'If I Didn't Have You' singers sharing lead are highlights from the duo's sophomore project.

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Blake-Shelton
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Blake Shelton, ‘Based on a True Story …’ – Album Review

Women who already think Blake Shelton singing is the sexiest thing since Johnny Castle pulled Baby from the corner may want to take the rest of the week off. The best moments on 'Based on a True Story ...' sizzle, and not in that ironic "bow-chicka-wow-wow" sort of way that's occasionally implied with this singer's sense of humor. Songs like 'Mine Would Be You' are safe to put on any red wine and candles soundtrack. Guys, you can thank Shelton via his Twitter account, if you'd like.

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James Wesley
Rick Diamond, Getty Images
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James Wesley, ‘Thank a Farmer’ – Song Review

James Wesley has a real feel for the life and struggles of the blue-collar American. His new song 'Thank a Farmer' is similar to his previous Top 30 hit 'Real' in its honest, no-nonsense approach. The worst thing a singer can do with a song like either of these is come off as contrived. Wesley is a long way away from being accused of that. 

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Justin Moore
Gerardo Mora, Getty Images
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Justin Moore, ‘Point at You’ – Song Review

Justin Moore's lead single from his third studio album is a familiar combination of all of his best songs. It's the well-meaning bad boy in 'How I Got to Be This Way' meeting the soft and sensitive lover in ''Til My Last Day.' Fans familiar with Moore's previous two studio albums can find a few more tracks 'Point at You' resembles.

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Tim-McGraw
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Album Spotlight: Tim McGraw, ‘Two Lanes of Freedom’ – ToC Critic’s Pick

"Optimism" is the word Tim McGraw uses to describe his new album 'Two Lanes of Freedom,' and despite a garnish of somber ballads and hopeless love stories, the singer is dead on. The project's production creates the buoyant mood that carries each of the 15 songs on the accelerated deluxe version. In fact, one's opinion of 'Two Lanes of Freedom' may rest on production decisions made by McGraw and Byron Gallimore.

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